Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
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Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo
Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo
Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo
Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo
Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo

Type Letterpress Desk Calendar by iSkelter

Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.

“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.

The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”

Artist Etienne Lavie imagines what the world might be like if invasive street advertisements were replaced with classical paintings. If instead of waiting for the bus next to a back-lit ad for a new car, you were given the opportunity to stare at Marco d’ Oggiono’s The Three Archangels.
A World Where Outdoor Advertising is Replaced by Classical Paintings by http://etiennelavie.fr/
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Artist Etienne Lavie imagines what the world might be like if invasive street advertisements were replaced with classical paintings. If instead of waiting for the bus next to a back-lit ad for a new car, you were given the opportunity to stare at Marco d’ Oggiono’s The Three Archangels.
A World Where Outdoor Advertising is Replaced by Classical Paintings by http://etiennelavie.fr/
ZoomInfo
Artist Etienne Lavie imagines what the world might be like if invasive street advertisements were replaced with classical paintings. If instead of waiting for the bus next to a back-lit ad for a new car, you were given the opportunity to stare at Marco d’ Oggiono’s The Three Archangels.
A World Where Outdoor Advertising is Replaced by Classical Paintings by http://etiennelavie.fr/
ZoomInfo
Artist Etienne Lavie imagines what the world might be like if invasive street advertisements were replaced with classical paintings. If instead of waiting for the bus next to a back-lit ad for a new car, you were given the opportunity to stare at Marco d’ Oggiono’s The Three Archangels.
A World Where Outdoor Advertising is Replaced by Classical Paintings by http://etiennelavie.fr/
ZoomInfo
Artist Etienne Lavie imagines what the world might be like if invasive street advertisements were replaced with classical paintings. If instead of waiting for the bus next to a back-lit ad for a new car, you were given the opportunity to stare at Marco d’ Oggiono’s The Three Archangels.
A World Where Outdoor Advertising is Replaced by Classical Paintings by http://etiennelavie.fr/
ZoomInfo
Artist Etienne Lavie imagines what the world might be like if invasive street advertisements were replaced with classical paintings. If instead of waiting for the bus next to a back-lit ad for a new car, you were given the opportunity to stare at Marco d’ Oggiono’s The Three Archangels.
A World Where Outdoor Advertising is Replaced by Classical Paintings by http://etiennelavie.fr/
ZoomInfo
Artist Etienne Lavie imagines what the world might be like if invasive street advertisements were replaced with classical paintings. If instead of waiting for the bus next to a back-lit ad for a new car, you were given the opportunity to stare at Marco d’ Oggiono’s The Three Archangels.
A World Where Outdoor Advertising is Replaced by Classical Paintings by http://etiennelavie.fr/
ZoomInfo
Artist Etienne Lavie imagines what the world might be like if invasive street advertisements were replaced with classical paintings. If instead of waiting for the bus next to a back-lit ad for a new car, you were given the opportunity to stare at Marco d’ Oggiono’s The Three Archangels.
A World Where Outdoor Advertising is Replaced by Classical Paintings by http://etiennelavie.fr/
ZoomInfo

Artist Etienne Lavie imagines what the world might be like if invasive street advertisements were replaced with classical paintings. If instead of waiting for the bus next to a back-lit ad for a new car, you were given the opportunity to stare at Marco d’ Oggiono’s The Three Archangels.

A World Where Outdoor Advertising is Replaced by Classical Paintings by http://etiennelavie.fr/