Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
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Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo
Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo
Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo
Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo
Type Letterpress Desk Calendar by iSkelter
Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.
“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.
The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”
ZoomInfo

Type Letterpress Desk Calendar by iSkelter

Jordan and Nathan Mummert from iSkelter have just launched the new edition of their beautiful letterpress desk calendar.

“The TYPE Calendar is printed on thick (55pt) cotton stock. All 12 months are pressed twice, once for each color (black and gray). I then cut the card stock down to size with a die cutting machine. This provides us with the clean beveled corners and a perfect cut each time.

The cotton cards sit neatly in premium, eco-friendly bamboo. Each stand is hand cut, polished, and engraved with the product logo.”

Swiss artist Zimoun has recently unleashed a “plastic storm” inside of the Museo d’Arte di Lugano in an impressive installation entitled 36 Ventilators, 4.7m3 Packing Chips. The kinetic artwork features a plethora of styrofoam peanuts and large fans that blow them against the museum’s broad window frames. Zimoun’s work really shines at night when it appears like we’re witnessing a tempestuous white sea.
36 Ventilators, 4.7m3 Packing Chips by http://www.zimoun.net/
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Swiss artist Zimoun has recently unleashed a “plastic storm” inside of the Museo d’Arte di Lugano in an impressive installation entitled 36 Ventilators, 4.7m3 Packing Chips. The kinetic artwork features a plethora of styrofoam peanuts and large fans that blow them against the museum’s broad window frames. Zimoun’s work really shines at night when it appears like we’re witnessing a tempestuous white sea.
36 Ventilators, 4.7m3 Packing Chips by http://www.zimoun.net/
ZoomInfo
Swiss artist Zimoun has recently unleashed a “plastic storm” inside of the Museo d’Arte di Lugano in an impressive installation entitled 36 Ventilators, 4.7m3 Packing Chips. The kinetic artwork features a plethora of styrofoam peanuts and large fans that blow them against the museum’s broad window frames. Zimoun’s work really shines at night when it appears like we’re witnessing a tempestuous white sea.
36 Ventilators, 4.7m3 Packing Chips by http://www.zimoun.net/
ZoomInfo
Swiss artist Zimoun has recently unleashed a “plastic storm” inside of the Museo d’Arte di Lugano in an impressive installation entitled 36 Ventilators, 4.7m3 Packing Chips. The kinetic artwork features a plethora of styrofoam peanuts and large fans that blow them against the museum’s broad window frames. Zimoun’s work really shines at night when it appears like we’re witnessing a tempestuous white sea.
36 Ventilators, 4.7m3 Packing Chips by http://www.zimoun.net/
ZoomInfo

Swiss artist Zimoun has recently unleashed a “plastic storm” inside of the Museo d’Arte di Lugano in an impressive installation entitled 36 Ventilators, 4.7m3 Packing Chips. The kinetic artwork features a plethora of styrofoam peanuts and large fans that blow them against the museum’s broad window frames. Zimoun’s work really shines at night when it appears like we’re witnessing a tempestuous white sea.

36 Ventilators, 4.7m3 Packing Chips by http://www.zimoun.net/